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"Events & Venues" Category


The Al Smith Dinner And Roast


Friday, October 17, 2008 - 12:01 am (EST)
By Hassan Chop

The candidates roasted each other, and several politicians, at the Al Smith dinner. In the debates, McCain’s been terrible at interjecting awkward jokes into the dialogue and then laughing weirdly at his own joke. I watch a big chunk of each candidate’s performance tonight, and McCain killed it. He was hilarious.

Marc Ambinder has the rundown of some of the best lines from McCain and Obama, but here are a few of the good ones.

McCain:

“I can’t shake the feeling that some people here are voting for me. Nice to see you, Hillary.”

Says that Joe Biden falsely claims that Joe The Plumber isn’t rich enough trigger the Obama tax hike; “What they don’t know is that Joe The Plumber recently signed a lucrative contract to handle all the work on all seven of their houses.”

Obama:

“Fox News accused me of fathering two African-American children in wedlock.”

“I was not born in a manger. I was actually born on krypton….”

“I got my name Barack from my father…. it’s actually Swahali for “That one.” My middle name, it’s not what you think. It’s actually “Steve.”

TAGS: Al Smith, Barack Obama, John McCain, roast

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Sarah Palin On SNL


Thursday, October 16, 2008 - 11:44 pm (EST)
By Hassan Chop

ABC News reports that Sarah Palin will be doing SNL this Saturday night. That should be interesting.

TAGS: Lipstick, Pig, Pitbull, Sarah Palin, SNL, Tina Fey

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SLEEPWALL, A Band For A Struggling Economy


Friday, September 12, 2008 - 10:15 am (EST)
By Anthony Pappalardo

Since all digital music is free now I’ll steal and check out pretty much anything. Sometimes I’ll have a really guilty curiously like an Unkle song with Ian Astbury contributing vocals, other times I just want to know my enemy and will download the latest blogtastic pile of shit to know what I hate. It’s a great way to waste time at work and all your embarrassment is safely tucked away on a hard drive, no harm no foul. Googling the name of those curious but mostly disappointing reunion records and the word “mediafire” is your best friend. This piracy technique was the reason I actually heard Dinosaur Jr.’s most recent record, Beyond. Barring the weird song with the semi-White Zombie riff it was surprisingly good. Unfortunately when you have seven billion mp3s good = forgettable and ends up just sitting somewhere never to be heard again. Going to see Dinosaur Jr. now expensive and the equivalent of a high school reunion. Everyone is doughy and tragic. Spending hundreds of dollars for a nostalgia trip is tempting at times but not for Gray Mascis 2008. There are better alternatives in this sketchy economy.

A few weeks ago I spotted a 7″ at Academy Records in Williamsburg from Sleepwall. The description read “really awesome new band like Dinosaur Jr. and early Built To Spill check it out!”. I love record store descriptions, they’re operating on some fucked up elementary school lunch room trade psychology like “Hey man I’ll trade you this really awesome apple for your Reese’s Peanut Butter Cups because apples are SO good”. I’m usually not swayed but who the fuck sounds like Dinosaur Jr. these days and $5.00 is an afforadble gamble. Everything I read tells me that people are really trying to be fiscally responsible so the economically concerned part of my brain, which usually fails me, decided that Sleepwall was an undervalued stock and that they were just the type of opportunity you need to jump on in a down market.

Door opens, top comes off the record player, vinyl removed from paper sleeve, glance at the layout for clues, throw on the A-side, wait for the static to turn to guitars and so it begins. Wait a fucking second, there’s a legit Dino-ish riff struggling to get out of the tiny speakers on my portable record player followed by a catchy vocal line and a very driving song. Right after the first spin I give it another spin to make sure I wasn’t hoodwinked, nope this is the real deal. Clips of Neil Blender flash through the space over my beard but I’m not seeing long stringy hair, Fender Jazzmasters and washes of green and purple. Sleepwall has a modern feel despite the similarities in their sound to late 80s/early 90s indie rock. I go back into the caverns in my brain and go “wait if I heard this in the early 90s would I just think it was average, there was a lot of power poppy shit then.” My brain then called me a fucking pussy and said “What the fuck is wrong with you dickhead? Who gives a shit about the early 90s when you wore corduroy and were obsessed with indie rock, you were a freshmen 15 years ago you fucking loser”.

Photograph by : Eric Schwortz - http://www.iamtheeric.com

My brain was totally right as it usually is when it’s critiquing the manifestation of it’s thoughts, it’s weird like that, thanks brain. The beauty of the world today is that a web search can then provide you with all the info you need about a band. I was nervous because Sleep and Wall are really common words and I didn’t want to bring up a bunch of shit about Ambien and Carpentry but I was quickly directed to their Myspace page. My next bit of info was that they were from Long Island and Brooklyn, which instantly made me like them more because they’re local, and they’re young so that makes me like them even more because it sucks to only be surrounded by old dudes as washed up as yourself. Digging through pictures I notice that of the Sleepwallers is wearing a Cro-Mags shirt, and I recognize the other cat….something is familiar about this. Further inspection left me with these details : other people dug Sleepwall and felt that they were Dino Jr.-ish, some of the dudes were in Hardcore bands and everyone that wrote about them on the interweb dug them.

Photograph by : Eric Schwortz - http://www.iamtheeric.com

So I am not going to mention J’s band anymore because they really only have a super Dino vibe on one track, everything else including the Is This Factual Ep is riffy power pop that sounds very much rooted in Indie Rock. Not the iTunes genre Indie Rock, Indie Rock as in I’m Lou Barlow, I have floppy hair, I suck at getting chicks, I used to be into fast hardcore but now I smoke weed and really dig fuzzed out pop songs. The infectiously catchy yet twisted pop of Bobby Pollard, the sound of lo-fi recordings, lo-fi beer and lo-fi cigarettes. That is the best shit. Remember when you first discovered this type of music and you wanted to get anything that remotely sounded like that? Anything that remotely fit the description of power poppy indie rock would be consumed from Archers of Loaf and Polvo to Overwhelming Colorfast and Fluf . Every record, tape and CD out there on SST, CRUZ, Merge or whatever label might contain a song that perfectly summed up how you felt about being a semi-burned out 90s guy and would occupy your brain on a loop making you feel invincible even at your lowest. The hottest chick on earth could spit at you but if Web In Front is blasting in your head who-gives-a-fuck! Thanks Indie Rock.

Sleepwall are young, focused and promising, if you’re a douche you’ve got reservations because of the Cro-Mags shirt. I’ll tell you this, it’s not ironic and who better to be playing music like this than dudes transitioning from music with mosh parts than hardcore dudes with good taste? That’s who the fuck formed Indie Rock in the first place so stop pretending you have any clue what the fuck you’re talking about and enjoy a great new band. Bass player Joe Cristando is probably Italian so I already love him, he bought some shit in a blizzard during my estate sale which is super nice and then he hooked me up with a sampling of their tracks. That’s extreme bro status right there instantly. They’re working on songs for an LP with Jason Lowenstein from Sebadoh which promise to up the ante of their mopey but hopefully infectious guitar pop. All the elements of great power pop are there : guitars are notey and jangly but with enough crunch to avoid sounding flat. The vocals are simple, catchy and delivered with a perfect cadence, the rhythm section is steady and solid and they sound like good friends that have been itching to do this for a hot second. Come In From The Cold is wedged in my head between Hyper Enough and Second Chance. Nice Company! Download it 01-come-in-from-the-cold,

buy their 7″, befriend them virtually and check them live if you are near these spots :

Sep 13 2008 8:00P
Meet @ Redscroll Records for the secret location of the show!!! Wallingford, Connecticut
Sep 14 2008 2:00P
All Music @ The Planview Shopping Center Parking Lot Planview, New York
Sep 26 2008 8:00P
Tommys Tavern Brooklyn, New York

TAGS: All Tomorrow's Parties, Dinosaur Jr., indie rock, Sebadoh, Sleepwall

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Deerhunter Are Not Douchey And They Played Last Night


Wednesday, September 10, 2008 - 11:56 am (EST)
By Anthony Pappalardo

Playing “rock” music is dangerous. Not like “yeah bro fuckin’ Altamont!” dangerous, dangerous in the sense that more often than not when you see 4-5 people aligned on stage with the standard guitar, drums, bass, vocals set up they are going to be douches. The rock format has become a career choice, a lottery ticket where the right combo of numbers can lead to fame, fortune and an airbrushed photo on the cover of Alternative Press.

Seeing Deerhunter last night at the newly opened Le Poisson Rouge on Bleeker Street in Manhattan reminded me that some bands can execute rock music with precision, dignity and skill. Deerhunter go about their business with little bravado but heaps of enthusiasm and an “awww shucks” innocence that sucks you in. Led by Bradford Cox who resembles a deflated life-sized Thurston Moore balloon (No disrepsect to dude and his condition, it’s just a description) Deerhunter leaks tracks almost daily through their blog sometimes with well documented tragic results. If you haven’t found their music for free yet you suck at the internet. Cox’ internet persona is often difficult, volatile and a bit troubled but live he’s engaging. His banter is playful and honest without pretense, charming when it succeeds “The only french I know are Stereolab lyrics” (in reference to the club’s french name) and cringe worthy when he fails “So you guys here in New York are into pop songs and the avant garde right? That’s a real New York thing right?”. He’s cute even when failing, he’s not a nerd with too much swagger trying to mask that he’s a geek, he’s just having a conversation with a few hundred people.

Beginning with the blog only hit Cavalry Scars, soon to be released on Weird Era Cont., Deerhunter showed why their pulsing brand of shoegaze tinged pop is so infectious. Alternating between the springy psychedelic pop of Cryptograms and the Fluorescent Grey Ep and the stripped down drive of Microcastle, they hit every fan favorite. There was a glowing omission of the track Strange Lights that everyone wished to hear and as psychically requested it appeared in an amped up, washed out haze state that ended the encore.

It’s Bradford’s blogging and appearance that get the most attention but Deerhunter’s rhythm section is what grounds the band and acts as their stealth secret weapon. Moses Archuleta is a steady and precise drummer, the one you wish the dude in your band was. There are two types of drummers : those who worship Dave Grohl and his “sick” fills and those who actually play the drums. With his emphasis on anchoring the songs Moses eschews steroided out self-fellating avalanche fills and keeps the focus on the song. Josh Fauver strums out catchy often Kraut Rock leaning bass lines. His presence on stage is entertaining. His syncopated pogoing and Madchester head lean make you imagine him plucking along to “I Am The Resurrection” in a teenage bedroom, dirty socks and homework discarded on the floor for the love of the beat. The back drop has changed for Josh but the mood hasn’t, even in a zebra striped all-over-print shirt that looks like it hung in a Polish boutique in Greenpoint, Josh looks cool, not cocky cool, fun cool. With Fauver and Archuleta steering the ship the waves of sound can crash, expand, splash and soar in any direction without sounding messy.

Deerhunter continues to surprise and deliver. Microcastle’s tight structures and craft contrast the hiss and experimentation of Weird Era Cont. but they are both Deerhunter. With so many bands afraid to deviate from their formula to ensure the merch money and crowds don’t dwindle it’s nice to know Deerhunter doesn’t give a fuck. They’ve taken down the wall between band and audience through their whole presentation and interaction. The worst they can do is fail your ears for a few minutes only to have a new crop of sounds loaded in their barrel ready to explode.

Full set list below :

Calvary Scars
It Never Stops
Spring Hall Convert
Dr. Glass
Hazel St.
Saved By Old Times
Operation
Fluorescent Grey
Nothing Ever Happened

BREAK

Bradford played drums, some dude did some shitty scat thing that wasn’t funny.
They played some grindcore …it had a mosh part.
Intro (as in Microcastle)
Agoraphobia
Strange Lights

This dude took the pictures I used, thanks man.

TAGS: Deerhunter, indie rock, Microcastle, Sonic Youth, Weird Era Cont.

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Funny Beatrice Inn-fo


Wednesday, August 27, 2008 - 2:49 pm (EST)
By Ray LeMoine

I’m going to Denver tomorrow and can’t think about politics for another God damned second. So…how about drugs and sex!

Lohan shows some coke bloat while chilling w Marky Ramone at Beatrice. And yes I do think these two hanging together is cool…

Under a sub-head of “Herogram,” Gawker has a funny vignette up today about a Euro who goes to Beatrice Inn, the famed West Village dive club, every night and uses corny lines (”You bad girl”-style) and offers coke—but doesn’t sniff it—to get poon:

The thirty-something “Bea rat”—a real-estate investor who claims an interest in screenwriting —goes in, usually alone, almost every single night. He approaches a woman and says, “I’m going to find you later because you look like the kind of girl who wants to do very bad things.” If you’re French, he calls you “Frenchy.” If a girl’s Italian, he calls her “Siciliana.”

More importantly, the seduction is accompanied by the promise of cocaine, back at our Casanova’s apartment a few blocks away…

Most cunning of all: the cap-wearing Euro doesn’t actually share the cocaine: that way the calculating seducer remains sober and ready to take advantage of any opportunity. Too creepy? “Well, do you do coke?” a Beatrice bartender asked. “If you do coke, he’s a cool guy.”

Bro, you suck! Why waste money on blow? You’re so…Euro!!! All you need to get laid at Beatrice is a wang—though it helps to have the ability to sing along when they play R Kelly’s “Ignition (Remix)” while grinding on a female. Here’s the lyrics, and I’ll highlight key phrases. Attn all Euros, start memorizing so you can stop that $50 per gram non-habit:

Now, usually, I don’t do this but uh….
Go head’ on and break ‘em off wit a lil’ preview of
the remix….

Now I’m not trynna be rude
But hey pretty girl I’m feelin’ you

The way you do the things ya do
Reminds me of my Lexus coupe
That’s why I’m all up in ya grill
Trynna get you to a hotel
You must be a football coach
The way you got me playin’ da field

Hook:

So baby gimme dat “Toot toot”
And lemme gi’ ya that “Beep beep”
Runnin’ her hands through my fro’
Bouncin’ on twenty fo’s
While they sayin’ on the radio

Chorus:

It’s the remix to ignition
Hot and fresh out the kitchen
Mama rollin’ that body
Got ev’ry man in here wishin’
Sippin’ on coke and rum (rum)
I’m like so what I’m drunk (drunk)
It’s the freakin’ weekend
Baby I’m about to have me some fun (fun)

Bounce (10X)
C’mon

Now it’s like “Murda She Wrote”
Once I get cha out them clothes
Privacy is on the do’
But still they can hear ya screamin’ mo’
Girl I’m feelin’ whatchu feelin’
No more hopin’ and wishin’
I’m about to take my key ‘n’
Stick it in da ignition

Repeat Hook

Repeat Chorus

Crystal poppin’
In the stretch Navigata

We got food everywhere
As if the party was catered
We’ve got
Fellas to my left (left)
Hunnies on my right (right)
We bring ‘em both togetha
We got drinkin’ all night
Then afta the show
It’s the afta party
And afta the party
It’s the hotel lobby

Yeah, around about four
You gotta clear the lobby
Then take it to ya room and
Freak somebody

Can I get a “Toot toot”
Can I get a “Beep beep”
Runnin’ her hands through my fro’
Bouncin’ on twenty fo’s
While they sayin’ on the radio

Repeat Chorus(2 times)

Outro:

Girl we off in this Jeep
Foggin’ windows up
Blastin’ the radio
In the back of my truck
Bouncin’ up and down
Strokin’ round and round
To the remix
We jus’ thuggin’ it out

TAGS: Cocaine, Denver, Drugs, drunk, Politics, Review

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Rafa


Tuesday, August 26, 2008 - 3:16 pm (EST)
By Anthony Pappalardo

One Name Header Day continues as does the US Open. White people worship tennis and they live for the US Open. With every Grand Slam Event a new tennis hunk emerges that everyone in your office loves and recites random trivia about, and this year it’s Rafael Nadal. Credit Don King and Nike for coming up with the “Grapple in the Apple” :

Over three decades after promoting the ‘Rumble in the Jungle’, the ‘Thrilla in Manila’, and ‘Ali-Frazier II’ at Madison Square Garden, ‘The Don’ is at it again, this time hired by Nike to trumpet the US Open tennis showdown between Rafael Nadal and Roger Federer, depicting them as boxing rivals to mirror Ali-Frazier. Only in America could we have the ‘Grapple In the Apple’. And Only Don King could give it his unique treatment.

King, speaking exclusively to The Daily Telegraph, revealed his “delight” at being called up to promote one of the greatest sporting rivalries on the planet. “You had the ‘Thrilla in Manila’, you had the ‘Rumble in the Jungle’ now we have the ‘Grapple in the Apple’. We gonna take it to the moon. They try to pretend to be friends. But they’re no kin and they’re gonna bend. They got to be competitive.”

Nadal is a natural pick for housewives, gay dudes and straight dudes with waxed eyebrows and fake tans who talk about their “game” over Muscle Milk and free weights. Rafa is a latin hunk, he’s young and flamboyant, the type of dude that according to Ezra Martin “Hits on your girl while you’re in the bathroom taking a piss and then offers you a drink in exchange for her when you come back”. R-Fed is older, less easy on the eyes and I think most people think he’s French, sucks to be him.

I don’t dig looking at “Rafa“, I actually think he’s a bootleg version of Med Agency Alum Aaron Stuart of Piebald. Here’s a pic to prove it (Stuart is on the far left) :

Stuey is a way cooler dude, was pictured on the cover of the New York Times before Rafa (as blogged by Ray Lemoine on Med Agency, link here ), is a biofuel master and is from the Merrimack Valley so I’m giving him a glowing endorsement. I’d rather see every magazine have a picture of Aaron, maybe we can turn Aaron into a Green Hunk, it would raise awareness for alternative fuel sources and get douchey Nadal out of our faces immediately, sounds like a win/win.

TAGS: Aaron Stuart, Don King, Rafael Nadal, Roger Federer, US Open

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I Got It


Monday, August 25, 2008 - 3:59 pm (EST)
By Ray LeMoine

This is music. “I ain’t no god damned son of a bitch,” says Matt Caplicki, who took this cellphone photo of Yo La and friends doing the Misfits’ “Where Eagles Dare.”

Yo La Tengo are the rare live band that, on any given day, can totally suck or be better than Zeppelin at the Garden 75. Yesterday, at the last free show ever at McCarren Pool in Williamsburg, Brooklyn, the trio made Page, Plant, and co look like pansies.

Playing a sun-soaked late afternoon set before 6000 nostalgic drunkards, YLT meandered through a 2-hour career spanning set, with styles careening across sonic oceans. In what was undoubtedly the best set any band ever played at this venue, the band seamlessly moved from free jazz to hardcore, ambient post-rock to solo-ed out fuzz jams, minimalist maraca and organ soul to ye olde style rock n roll. By the time they welcomed the opening band onstage for a cover of the Misfits’ “Where Eagles Dare,” my ears had heard more variety than a Kim’s Video clerk’s iPod shuffle. And YLT’s just one band—with only three people! Mind numbing. 

Did I mention YLT are the masters of site specific setlist-free shows? Example: at about 6:40pm an August sun blindingly spiked the stage. So Yo La played their song “Summer Sun.” I’ll stop…It was great. The end.

RIP pool shows (though I must admit I only attended one before this—so “best show ever” would be hyperbolic had everyone I spoke to not said so). Mayor Bloomberg has announced plans to return the Bob Moses-built pool to it’s former self (a swimming pool), at a cost of a lot of millions of tax dollars. But smart money says the city will have no money come next year. Expect the pool to rock again next summer…  

TAGS: Brooklyn, drunk, free, iPod, Music, Video, williamsburg

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This week at Magic & Pool - loathing fashion in Las Vegas


Sunday, August 24, 2008 - 3:26 pm (EST)
By John LaCroix

I wish I had the time to be at both the Dem’s convention and in Las Vegas for the apparel tradeshows (Magic, Pool and maybe even Project) but this time Lissa will be wo-manning the booth for Free Gold Watch so Rama, Chris Curtis, Chris Butler and I will be trolliping ourselves all over the trade show floor covering all the best new stuff on the market, starting bright and early Monday morning.

If you’re there, come by Pool Show Booth # 634 to see Free Gold Watch and us making fools of ourselves with our cameras and microphones and Tuesday night you might want to check out the party for Vice sponsored by FGW, the Ice Cream Man and Asahi at Beauty Bar featuring a live show by Japanese Motors.

TAGS: Beauty Bar, Free Gold Watch, Las Vegas, magic tradeshow, Pool Tradeshow, Vice Magazine

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Awkward Walkmen Performance on Fox News


Wednesday, August 20, 2008 - 10:51 am (EST)
By Anthony Pappalardo

Earlier this week the Walkmen headlined Bowery Ballroom a few times and Fox News New York realized it was prime opportunity to conduct an awkward interview and have a “local” band perform on a blindingly bright stage. You can check it here because the vid isn’t embeddable, watching Walkmen melancholy collide with newscaster enthusiasm is a treat. It’s moments like this that you realize how amazing the brain of a newscaster really is. If you’re interviewing the Walkmen on television you might take a second to familiarize yourself with the new album they’re promoting and ask a question that would evoke more than a one word answer. That’s probably what you or I would do because we like things other than ourselves but for a blond spazzy news anchor it’s not the case. Instead they opt to ask questions that usually occur on a mismatched blind date delivered with clunky faux-energy from a vapid stare that screams “Fucking kill me, I am completely devoid of any thoughts more complex than ‘does my hair look ok?”‘. It’s kind of awesome

So yes back to the Walkmen’s new album You & I which you can purchase for $5.00 on Amie Street. You can feel good about your purchase because you didn’t steal the record like I did and you’re donating money to a good cause :

“All donations go to Memorial Sloan-Kettering Cancer Center in honor of Luca Vasallo, a friend to the band and a current patient who is seven months old and doing a great job fighting a very difficult disease,” said Peter Bauer of The Walkmen. “This is a very good organization that certainly deserves the attention.”

After cutting and pasting that I kind of felt like a shit bag so I decided I would legitmately buy the album. It’s a good cause and it’s nice to see a band realize that their music isn’t this precious commodity that can only retail for $17.99 so they can fund extravagant lunches for record executives and never get paid their royalties. But upon going to the site the record was $8.98 and there was no mention of any dontations so I guess I missed the boat. I’ll investigate because the Walkmen kind of made me feel like I stole quarters from a donation jar at Dunkin Donuts or something.

The album is a nice nod back to what the Walkmen do best which is play a unique brand of guitar based music that pulls from a huge canon of influences shaping a sound which is somber, aggressive, atmospheric, new and old all at once. It’s incredibly uncool to praise the Walkmen as they were part of that post 9/11 New York boom where even the Liars (yeah the Liars) inked major label deals and the sound of affordable Williamsburg Lofts was going to be the soundtrack to the new America. I’m fairly sure all this yielded was that super annoying Yeah Yeah Yeah’s song where Karen O’Shit cries in the video and sounds like Gwen Stefani with herpes…oh and the cut out bins were robust with the next-big thing so Marvelous 3 and Dishwalla got some company from their cousins in Brooklyn.

The Walkmen are much different, they got a little too Dylan and a little too ambitious with the horns on their last album A Hundred Miles Off but they’ve always managed to have their own shimmery sound that hits on something real. Live they successfully fuse the control and command of the all-American rock band with the urgency of classic American hardcore. Hamilton isn’t doing flips like HR but the first time I heard The Rat live I knew this wasn’t a bunch of douches up there trying to fellate themselves, they really meant what they were doing and had an energy that said more than “Hey we’re cute guys in cute clothes and we’ll hit on your girlfriend while you’re taking a piss because we’re amazing!”.

Maybe the reason the Walkmen aren’t cool is because they are a very personal band, many of the songs sound like scotch-soaked tales of disappointment swapped between old friends. The vintage equipment and gentle tape hiss that marks all the Walkmen’s recordings conjures up that tragic tone of a depressing Christmas Album with that unnerving skip during the Little Drummer Boy or a trapped housewife drinking alone out of a thick glass on stained couch in 1950-something. The Walkmen revived private school cool, not Vampire WEAK-end, by showing up on stage looking hungover from a wedding, in wrinkled suits with a faint scent of booze on their breath. Unfortunately the Walkmen’s story has already been told and all they now do is make solid records while Vampire Weekend are newer, cuter, and so damn quirky plus they TOTALLY dig world music and Ivy League schools, the perfect soundtrack to a new boring wine and cheese party christening a Brooklyn Condo.

*My apologies for the Roman Catholic analogies my Jewish Brothers and Sisters, Parochial School wormed Christ into my brain and I can’t shake it.

TAGS: Fox News, indie rock, Vampire Weekend, Walkmen

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Biden: “I’m not the guy”


Tuesday, August 19, 2008 - 6:26 pm (EST)
By Ray LeMoine

Whoah! Oh the suspense. Joe Biden says he’s not VP. The Page:

As the Delaware Senator leaves his home in Wilmington Tuesday, he tells reporters camped out outside hoping for a veep announcement:

“You guys have got better things to do, I’m not the guy.”

Much of the national press thought Biden was a lock. Still, I can’t see Obama naming Bayh, a pro-Iraq former Clintonista, or Kaine, who is too ugly.

The announcement will come Friday, most likely followed by a joint appearance in Springfield, IL, where Obama announced his candidacy in 2007.

CBS News has confirmed that Barack Obama’s campaign now plans to announce Obama’s vice presidential choice to supporters via email and text message on Friday afternoon. (This plan could change, of course.)

In other news…What exactly is an official pre-premier party? Could this be the best worst party of the summer? It’s at least the best bad flyer…And you know I’ll be there.

TAGS: Barack Obama, Iraq, Joe Biden, NATO, obama, Politics, Race, Vice, war

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Orange County Gettin Their Protest On For Obama/McCain


Monday, August 18, 2008 - 5:08 pm (EST)
By GnarlyTown USA

Lake Forest (used to be called El Toro), in Orange County, California is the town where I grew up and will mainly call “home.” It’s also the town where mega church, Saddleback Church is located and on Saturday of this previous weekend, the Neo-Billy Graham-ish pastor Rick Warren hosted both John McCain and Barack Obama for discussion over many topics - including poverty, AIDS, human rights and climate change - all good issues right? Well Rick Warren holds LOTS of influence with a 23,000 member strong church. Technically he isn’t endorsing either of the candidates but if I had to put my money down, I’d assume the white, wealthy, Christian would vote for McCain. Anyways, someone dear to me, a family member - my Step Father, Steve Davidson, went for a bike ride and headed over to the church to see what all the hubbub and confusion was about and ended up taking some pictures of the protests. Nothing major, but just a nice collection of pictures from what I consider California’s Bible Belt, aka South Orange County. I’m happy to see that not all Orange County folk aren’t all for the right winged, anti-compassionate, anti-progressive, homophobic frat war mentality - just most of them are…

I’m aint mad at Orange County.

Gross.

All Photographs by Steve Davidson.

TAGS: Barack Obama, climate change, John McCain, mccain, obama, war

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LISKFEST? Paul Frank’s marketing guy makes a festival


Monday, August 18, 2008 - 4:16 am (EST)
By John LaCroix

Thirty-something washed up hardcore dudes and young orange county youth’s of all types who like fun and a giant Gorilla Biscuits reunion in the woods take notice!

Friends of one Mr. Chris Lisk, perk up. We caught up on the phone the other day and this is what he told me… this October 11th, he’s got his own music festival in Irvine, California and by festival I mean, one in the woods, with booze and a diverse bill of liskbands. (It’ll be a term, be patient.)

What’s a Lisk? He’s a dude that once stood naked in my aunt’s living room doing the yes/yes, no/no with his wee wee. He’s also the dude that let the Wrench and I stay at his house when we first arrived from our move to southern California back in 2000.

Today’s Lisk is more advanced, he’s the marketing guy behind Paul Frank that brought you 99% of the stuff you thought was cool. That’s him in the photo above with Civarelli and Adam Grenier wearing “Lisk” shorts by Paul Frank.

Check out liskfest.com, It’s real.

TAGS: Adam Grenier, Anthony Civarelli, Chris Lisk, Gorilla Biscuits, Liskfest, music festival

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Rhys Chatham - 200 Electric Guitars - FREE - This Friday at Lincoln Center


Tuesday, August 12, 2008 - 12:07 pm (EST)
By GnarlyTown USA

When/Where: Friday, August 15, 2008 at 7:00 PM, at New York City’s Lincoln Center’s outdoor venue, Damrosch Park Bandshell. This will be a free show featuring Rhys Chatham and a slew of other badass, talented guitarists playing A Crimson Grail (2008) for 200 Electric Guitars.

I’ve seen Rhys Chatham play with about 15 guitarists in Carrol Gardens Brooklyn a few years ago with basically members from heavy on talent, Bear in Heaven and members of Sonic Youth. It was truly mind blowing so I’m imagining that this performance with 200 guitars/bass will knock your socks off.

From Lincoln Center’s website - composer Rhys Chatham and section leaders John King, Ned Sublette, David Daniell, and Seth Olinsky (Akron/Family) lead an oversized orchestra of 200 volunteer guitarists and electric bassists in the world premiere of A Crimson Grail for 200 Electric Guitars (Outdoor Version) performed not on the Bandshell stage but along the sides of the audience at Damrosch Park, to heighten the work’s polyphonic effect. The work, originally composed for Paris’ famed Sacré-Coeur, has been extensively revised to suit the dynamics of the Park’s outdoor acoustic.

Links: Lincoln Center’s blurb…

Lincoln Center’s Bandshell Venue

Rhys Chatham’s website

Pitchfork’s Record Review…

TAGS: Brooklyn, france, free, New York, New York City, paris, Review

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The Moment: V Fest 2008


Tuesday, August 12, 2008 - 10:18 am (EST)
By Ray LeMoine

The Baltimore Sun captures Lil Wayne and the honkypalooza that is V Fest…


Lil Wayne showed up 40 minutes late at a festival that ran on time for every single other act. Performing with just a DJ, his set was pure ghetto. By closing with a Kanye guest spot on Lollipop, Wayne scored the Fest’s highest energy moment—even though Weezy forgot his verse. I can’t figure out how to upload video, but here it is on a  cell phone cam…and yes that is 20,000 plus white people moshing to a remix.

TAGS: Lil Wayne, Video, Weezy, White People, youtube

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Funny Nas Blog Post


Friday, August 8, 2008 - 11:19 am (EST)
By Ray LeMoine


Black GOPs

Sasha Frere-Jones went to see Nas at the Rock the Bells Fest at Jones Beach last week and wrote this for his New Yorker blog. In an intro, Jones establishes this post as “service journalism,” but this is one the best paragraphs he’s ever written:

Nas: this rapper currently has the #1 album in the country. He said he loves Al Sharpton and Jesse Jackson but they are “out of here.” Nas is, according to Nas, the new voice of the young people. “I talk your talk, I dress your dress,” he said. I didn’t see anyone in the audience wearing a white shirt, white jeans, designer sunglasses and a blingy crucifix, so maybe what he meant is that he’s the new voice of Russian real-estate developers. People always talk about what a great lyricist Nas is, and he certainly was when “Illmatic” came out fourteen years ago. Which is maybe why he did more songs from that album than any other album from his catalogue during his set. It was nice of Jay-Z to come out for the “Black Republicans” cameo. Do you know how much people like Jay-Z? More than they like anyone else. I’ve see Jay-Z pop up at three shows, and every time it happens, you remember what it’s like to be at a genuinely exciting event. And then Jay-Z leaves. Bad idea, the Jay-Z cameo, for anyone who is not named Jay-Z.

No two artists have been awesome longer than Nas and Jigga. Both are still relevant after 15 years. What white pop artists can say the same? NIN? Pearl Jam? RHCP? Nyet. Even The Boss turned corny after 1982. (Btw, The Boss was at The Box last night with the Sting.)

TAGS: GOP, Jay, Jesse Jackson, New York, Republicans, russia, The Box, youtube

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Skatebook launch in Brooklyn tonight


Thursday, August 7, 2008 - 6:40 pm (EST)
By John LaCroix

Skatebook launch party for the Paul Sharpe edition.

Free drinks and skating.

6-9pm  90 N 11th Street, Williamsburg, NY 11211

(say hi to Salman for me!)

TAGS: Brooklyn, free, williamsburg

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Nightlife Dude


Wednesday, August 6, 2008 - 12:19 pm (EST)
By Ray LeMoine


The pink bus to the pink hotel. Two guys you’ve all known forever: Sean Dorsey and Gabe Banner party in AC…pics c/o Lindsay Boivert

Gawker and New York Magazine’s Grub Street picked up my way too over-the-top recollection of a bus trip to Atlantic City for the opening of the Beatrice Inn’s new hotel venture, The Chelsea. Big thanks to both, and to whoever tipped Gawker off.

Gawker called me “nightlife dude,” which works I guess (way better than “nightlife douche”). All this stuff about Gawker always going after people is not neccassarily true. Consider: They could’ve easily shredded me for the AC piece. It was overwrought, dumb, filled with tons of stupid inside jokes, and more than a little arrogant. But they held back. This is the third or fourth time Gawker’s been more than fair with some retarded post of mine. We broke some Chris Matthews bullshit a few months ago and were really unprofessional when the story hit, pulling it offline and not releasing a statement for days. But they fact-checked and were patient and ultimately as professional as any media outlet I’ve ever dealt with. The hype on them as unconscionable vultures is bullshit.

Here’s the Grub Street post:

Beatrice Team Creates Nowness, Newness in Atlantic City

Blogging on Meds recounts a heavily, well, “medicated” press trip to the Chelsea (the Beatrice Inn team’s new project) a couple of weekends ago. The write-up starts with “You get the bus driver high as he wheels around the city picking up everyone you ever met, ever” and goes on from there, and while it isn’t quite poetic enough to be Fear and Loathing in Atlantic City, it sure does mention drugs a lot. “People yell, hug, scream, sing songs, make out, do drugs, smoke hash and weed, all the good stuff — and you’re still on the bus. You love that the Beatrice party ethic isn’t irony based like the BK/LES scenes, nor is it status based like the Meatpacking or Chelsea (how else do you explain your loser-ass riding on this bus).” Blogging on Meds thinks AC and the Chelsea might just be the next big thing: “What works for The Chelsea and Team Beatrice is their collective now-ness. No amount of sentimentality or metaphor can be used to capture that nowness, the newness. It’s this very urgency that makes you think The Chelsea could indeed set a precedent and create a new weekend spot for downtown’s kids.” Sounds kind of like riding the crest of a high and beautiful wave, as HST would’ve put it. Then again, maybe it’s just the weed talking.

The funny thing is, I kind of hate Hunter S Thompson. Fear and Loathing 72 is a great book, but this is a guy who had endless talent and wound up wasting it (whereas I have no talent). Nothing sums up Hunter’s decline better than his trip to Vietnam in 74. The fall of Saigon; Cambodia about to hit Year Zero. Where’s Hunter? Running to US Embassy with a cooler full of beer, ignoring history to protect his own (in)sanity. As much fun as it is to party, loathe, and write about it, that stuff doesn’t matter. When given the chance to report on his generation’s biggest story—Nam—Hunter cracked. That’s why I’ll take one Bright Shining Lie over thirty Fear and Loathings…

Also, I wrote the Beatrice piece as a kind of dual satire. It was written in second person ala Bright Lights, Big City, because you can’t write about NY partying without homage to Jay McInerney. And you especially can’t write about the Sevingy clan without it. McInerney was the one who dubbed Chloe “It Girl” in 1994 a 7000-word New Yorker story. Second, I co-wrote a book, Babylon By Bus (Penguin Press 2006), about a bus ride into Baghdad that, as one would expect, went horribly wrong. So satirical bus rides are my shiite.

TAGS: beer, Crack, Drugs, Jay, kids, New York, NPR, Shiite

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Beatrice By Bus: The Chelsea Atlantic City Sans Metaphor


Tuesday, August 5, 2008 - 11:15 am (EST)
By Ray LeMoine

CORRECTION: Nicole Brydson wrote in an email that neither John Ford nor his brother Juan ever lived with her.  Rather the Ford bros just slept on her floor. Fordsy!!! Also, I spelled Nicole’s name wrong and she’s from NYC not the Hamptons. Yes, I’m retarded.

Left, Paul Sevigny and Vegas being filmed by Inigo Gilmore on the front steps on The Chelsea Hotel, AC. Right, drink in hand…Pics by Lindsay Boisvert.

You’ve been invited to a “soft-opening” party by the owners of the Beatrice Inn for their new venture, The Chelsea Hotel in Atlantic City. A bus to AC is supposed to leave from the corner of Jane St and 8th Ave at 7pm. It’s a Friday, 25 July. You were told there were only 10 seats for your friends, but by 7:30pm you realize there are 60 seats on the (pink) bus, most empty. You call everyone you’ve ever met, ever. You get the bus driver high as he wheels around the city picking up everyone you ever met, ever. 

8:30pm. The bus leaves with thirty or so people, including two middle-age Turkish guys, a half-dozen Euro females (a Slovene, an Austrian, two Italianos, two Brits), a black chick w/ fake tits and Ivy League degree, etc. A lot of laws are being violated (mostly by your lawyer). A makeshift bar, two seats covered in ice, is stocked with every kind of booze. There’s a British Elvis impersonator/television correspondent filming everything. You don’t care because you know you get to keep the tapes.

You realize by 9pm that this is the best bus you’ve ever been on, ever. That’s due to the whos and whats of the party. See, the Beatrice Inn is New York’s sole “dive-club.” In less than two years it has branded an unparalleled party ethos—one that combines everything downtown that’s not lame or too trashy with pure excess. It translates quite well to a bus party. 

Loud indie and rap music via iPod doc spark a dance party. People yell, hug, scream, sing songs, make-out, do drugs, smoke hash and weed, all the good stuff—and you’re still on the bus. You love that the Beatrice party ethic isn’t irony based like the BK/LES scenes, nor is it status based like the Meatpacking or Chelsea (how else do you explain your loser-ass riding on this bus). 

Upon arrival you’re greeted by Paul Sevigny, the DJ, ex-promoter, Beatrice Inn owner, A.R.E. Weapons band member, and former Club Anthrax-goer who is originally from Darien, CT. He wears an old, ripped navy blue sweater with light tan pants. He walks your whole party into the lobby. The all white modernist space is furnsihed with purple couches and phallic lamps and jammed with a weird mix of Philly-area middle age tourists and downtown New Yorkers sipping stiff drinks from red plastic cups.

“The party is in the penthouse,” Sevigny says. “Sign up for rooms here. And thanks for coming.”

Sevigny’s sister is Chloe, the actress, and that surely helped his rise. But you can’t deny the brilliant Britpop/punk/post-punk/downtown-style Paul perfected in the late 90s and early 2000s. The Sevigny style wasn’t wigger-y and druggy like Supreme/Vice, the era’s other dominant downtown vibe. It was just cool and fun. But like Supreme and Vice, Sevigny has proven one of NYC’s most durable brands. Take when you recently interviewed at a national gossip magazine, and the first question they asked you was if you had access to Beatrice. “That’s the only club we really care about,” the weekly’s news editor said. “Nowhere else gets the celebs acting as wasted and slutty.” Not wanting to sell people out for money, you never took the gig, but Beatrice certainly is unique in the celebs-gone-wild respect. For example, Heath Ledger’s last stop on Earth was Beatrice. 

You remember going to Spa Wednesdays, an early 2000s party Sevingy hosted on 13th St in Union Sq. (Spa’s the club Vince Vaugh and Jon Faverau went to with Diddy in the movie Made.) You remember the all-white side-room, where Razzle the dreaded HC kid did the Afro-beat party. And the time Smelly Tom bought Veuve bottles for the now-bargain price of, like, $100 per bottle. All the Brazilian girls. “Michael James” as the door name. Stone Roses into James into Sex Pistols… 

Penthouse beer filled tub. On the bus.
(more…)

TAGS: beer, Boston, Brooklyn, Drugs, iPod, kids, Las Vegas, Movie, Music, NATO, New York, NSA, paris, Pirates, war, wasted, williamsburg, Yankees

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Beatrice Inn South


Friday, August 1, 2008 - 9:28 pm (EST)
By Ray LeMoine

Last weekend the owners of the Beatrice Inn, a New York nightclub, hosted a private opening of their new Atlantic City venture, the Chelsea Hotel. Thanks to Paul Sevigny, Matt Abramcyk, and the whole Beatrice crew for busing in a score of the city’s hardest ragers for some penthouse action three nights straight. I was there on Friday, and a full report is forthcoming, but in honor of weekend good times, here’s some pics c/o Lindsay Boivert, who is pictured below at the hotel in a leopard print chair c/o me.

And despite the NY Observer’s insistence (in a piece written by John f–king Ford’s old roommate), AC is not the new Brooklyn—for there were only Manhattanites in attendance.