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Burning Star Core - Challenger preview and review


Monday, April 28, 2008 - 1:11 pm (EST)
By Anthony Pappalardo

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On January 28Th 1986 I was home from school sick with a fever. My family had just moved to depressing suburban New Hampshire from depressing urban Massachusetts, specifically Lawrence a city that excelled in car theft, arson and welfare scams in he 1980s. After using my best “I’m sick” voice to negotiate the day off I burrowed back into cartooned sheets only to wake up to an explosion on my television. Whipped into consciousness, my haze gave way to shock, I remembered that I was supposed to be in school celebrating space travel, watching the shuttle launch live. One of New Hampshire’s own, Christa McAuliffe a grade school teacher, was to be sent into space along with the Challenger crew. We were going to watch the launch, talk about space travel, eat dried ice cream and then be really hyper. Instead I was at home tripping on a fever wondering what the fuck an O Ring was and how this could happen.
There’s no doubt I was really jealous of Christa, I wanted it to be my teacher or specifically me, I was way more into space travel. Remember how cool that was as a kid, you hated Russians and thought space shuttles and specifically anti-gravity was the hottest shit. You’d obviously do something way cooler than some stiff teacher in space, you could drink Coke that was suspended in the air and do all sorts of cool flips and shit, not look at rocks and measure things or whatever. Regardless 1986 was packed with unexpected disappointments for a lad Living Free or Dying from the Challenger disaster to the Red Sox collapsing in the World Series and my now useless Berry the Bears shirt. These little life lessons mixed with a few yeas of Catholic School have had me looking over my shoulder my whole life for that variable that is going to fuck me up. O Rings, routine grounders, wild pitches, hail marys by a dude with a stuffy nose, a chick with a wandering eye, code enforcement, sketchy friends, it’s a robust list of paranoia.
On 4.29.08 Burning Star Core releases Challenger on Plastic Records (LP) and Hospital Productions (CD). Challenger is robust with psychedelic drones and hypnotic layers that loop, resonate, cut and swirl. It’s lucid ambiance that spins maudlin circles around you then unexpectedly jolts you back into consciousness. Burning Star Core is one of the weapons in C.Spencer Yeh’s quiver that he uses to punch holes in conventional music, creating new spaces and voids simultaneously.  His deep catalog of improvisation and structured performance has put him along side Double Leopards, Comets on Fire, John Olson, Hair Police, Thurston Moore and other noisey notables. Drone, avant-electronics, improv and many splinter factions and tags often remove our most familiar friend the vocal chords. Our ears have to connect to the space created by the absence. Wanton post-rockers take the safe route by noodling away in “sad” keys, rarely achieving more than a rock song sans vocals lacking any direction while avant structures that drone, slash or lay ambient often lack the familiarity or reference new ears crave to stay tuned. The washes of sound and silence of Challenger give enough clues to keep you stuck and invested while Mr.Yeh orchestrates the arrival of the unnoticed variable, the inevitable sharp turn laced in sparsely rich psychedelic sound. Challenger is a perfect introduction and a brilliant companion to a rich resume of sound.

LP for the vinyl heads on Plastic Records
CD for the digital sect on Hospital Productions
Visit C.Spencer Yeh here
Preview Beauty Hunter from Challenger above and here.

TAGS: Hospital Productions, Plastic Records, Prurient

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Jean Feraca • I Hear Voices • NYC 3.13.08


Wednesday, March 12, 2008 - 3:58 pm (EST)
By Anthony Pappalardo

Jean Feraca, I Hear Voices: A Memoir of Love, Death and the Radio

March 13 07:00PM - 08:30PM at Strand Book Store
Located at the corner of 12th Street and Broadway, NYC

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“Jean Feraca, Wisconsin Public Radio’s Distinguished Senior Broadcaster and poet, will read from her new memoir, I Hear Voices, accompanied by her son, Dominick Fernow, electronic artist Prurient. The focus of this mother and son duo will be the first chapter in the book, “My Brother/The Other,” which tells the extraordinary story of Feraca’s brother, Stephen, a man with “a life force that verged on the diabolic,” who left home at an early age for Pine Ridge Reservation and was adopted into the Sioux tribe. To carry the text through Stephen’s redemptive death, Prurient will perform dark layers of synths and electronics to create a landscape where the voice breathes a message of existential paradox.”

If you aren’t familiar with Prurient it’s hard to just throw you into a new genre and give you an overview. It’s not like saying “Oh you like the Bright Eyes, man you’ll dig Okkervil River!” plus no one should ever say that. My suggestion is that if you have an interest in thick synth blankets of feedback with structure, tension and dissonance you should start with Pleasure Ground. If you’re a noisemin you know the name, if you’re not and maybe had a Throbbing Gristle phase or pretended to have a Throbbing Gristle phase in order to get laid by a germanic goth chick that was probably into sketchy shit you have some point of reference. If this doesn’t make any sense it I’m kind of psyched because you’re a clean slate and my job becomes easier. Prurient, or Dominic Fernow to be proper has a grip of releases ranging from limited edition cassettes to lathes and CDs. Dominic also opened the New York source for noise, experimental music and black metal, Hospital Productions. The Village Voice has already romanticized the Hospital Productions store located in the basement of Jammyland on 3rd Avenue in Manhattan so we’ll skip over the whole “a dark lair of black metal and experimental music” prose and get to the main course. What’s inspiring and incredible about the store is the care and craft of so many of the releases sold there. While intricate packaging was always been a staple of many noise releases since it’s inception, it really appeals to the early nineties guy in me that consumed any 7″ screened on a paper bag or cover with something glued on it. I know Dom wasn’t into Nuzzle or Mohinder so it’s coming from a completely different head , don’t worry. Knowing that these records were crafted by someone and not a machine adds to the experience. Knowing you can get tapes and records packed with human hair, blood, skin and probably / maybe doo doo adds a new layer. Two Prurient releases probably came out since I just typed that I bet they’re incredible.

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Instead of shimmying down the sketchy ladder into the Hospital you should visit the Strand tomorrow night if you are in New York to hear him do his thing while his mother reads from her memoir, I Hear Voices. I’ll be there and I’ll be jealous of both of them as it’s an impressive and unique opportunity. I know your inner NPR voice is telling you what a rich event this could be and at the least you’ll have something interesting to spin to your housemates or fellow free lancers while you sip Kombucha and bash Elliot Spitzer.

Visit the Hospital Site : Here

Pick up the Prurient / Kevin Drumm release - All Are Guests In The House Of The Lord. The only time I was ever disturbed by music was the first time I heard Swans in my teens, I knew there was something mangled and frustrating going on, something that was more shocking than loud guitars and demon imagery. In my adult years I’ve laughed at corny slideshows and drum circles by Neurosis, laughed louder at grown men in corpse paint and became really annoyed by “metal” records that are always compared to “the sound of hot steel ripping through your larynx while you take your last gasp”. All that stuff is bullshit, All Are Guests In The House Of The Lord is disturbing, draining, droning and lucid. You need to let it sink in and give it your attention and it will reward. Trust me I’m cynical, old and a pain in the fucking ass and few records impress me in this way.

Then go here

Read Jean Feraca’s blog, once again get familiar and gear up for tomorrow.

Lastly go here if you’d rather be really pedestrian and read boring reviews by interns that are “so over Justice” and like the sketchy Brian Eno records.

TAGS: Hospital Productions, Jean Feraca, Prurient

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